As soon as they began to unpack their equipment, “it started that second,” said Kossakovsky. The filmmakers arrived in Greenland prepared to shoot giant glaciers ready to fall apart, but were warned they might have to wait two months for anything to happen. The effect is hypnotic, haunting, and terrifying. Kossakovsky improvised locations and shot without a script, trying to show the water’s POV.
Aquarelo color movie#
The movie has no narration to explain where you are, or what’s going on - just crashing Dolby Atmos Sound and a heavy-metal score from Finnish violinist/composer Eicca Toppinen. Kossakovsky chased stunning images of water around the globe, using Arri digital cameras that shoot at 96 frames per second (alas, only a few cinemas are able to project that format most will be 48 or 24). Sundance 2023 Movie Deals So Far: Sony Pictures Classics Buys 'Shortcomings' 'Beef' Review: Ali Wong and Steven Yeun Are Knockouts in Netflix's Outsized A24 Dramaġ7 HBO and HBO Max Original Series to Get Excited About in 2023
'Swarm' Co-Creator Says Malia Obama Wrote 'One of the Wildest Episodes' You suddenly realize the power of water.” It was like the ice was moving like waves, it was already melting so much. When we came close, we realized there was no ice around. “Suddenly, the car appears in the shot and we see it just fall through the ice to the bottom of the lake. “It was obviously dangerous while shooting to suddenly see something like this,” said Kossakovsky.
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